The printer also battled to handle the smooth progression of shades in the blue sky of one examination picture, apparently lacking range at the darker end and also often tending towards blocks of a single shade.
We weren’t excessively impressed with their colours, however, which appeared low-key. With bows lasting only an optimum 36 prints, you’ll be altering them fairly often, yet it’s a straightforward clip-in job as well as there’s no mess.Prints from the CP900 were devoid of grain, as well as really did not endure any type of noticeable softness – a possible weak point in the dye-sub procedure.
It is necessary to keep the workspace free from dust, as it can create rather considerable imperfections on a dye-sub print. The lidded clip-in media tray makes it concerning 300mm deep, and you must leave around 200mm of free space at the back to avoid obstructing the paper as it arises from the rear of the printer during prints. This is a tiny and also appealing printer but, like various other dye-subs, it requires a deceitful quantity of space on the desk.
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